Before jumping right in, however, it’s important to note that there are two different kinds of licensing to know about; the license you need to acquire for the original score you’re commissioning and the so-called sync license, which is what you need when you wish to use a song in your film. In simple terms, think of the score as the emotional string arrangements you hear as the film’s climax is approaching, while the synced song is Wayne and Garth singing along to Bohemian Rhapsody.

To explain the two different approaches to licensing, please welcome LA-based composer Jongnic Bontemps:

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