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	<title>20 Questions Film &#187; Children of Men</title>
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		<title>Visual Emotion Is In The Detail</title>
		<link>https://20questionsfilm.com/visual-emotion-is-in-the-detail/</link>
		<comments>https://20questionsfilm.com/visual-emotion-is-in-the-detail/#comments</comments>
		<pubDate>Mon, 07 Nov 2016 21:36:57 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[12 Years a Slave]]></category>
		<category><![CDATA[Children of Men]]></category>
		<category><![CDATA[CineFix]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[The Shawshank Redemption]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Video Essay]]></category>
		<category><![CDATA[Visual Storytelling]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1760</guid>
		<description><![CDATA[Go ahead, cry your heart out. A blunt visual representation of a certain emotion (like the image of a crying baby) may have the desired effect of making your viewers recognize what it is you want them to feel, but it&#8217;s only when you let the emotion live in the details of your shot, that they will really feel [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Go ahead, cry your heart out. A blunt visual representation of a certain emotion (like the image of a crying baby) may have the desired effect of making your viewers recognize what it is you want them to feel, but it&#8217;s only when you let the emotion live in the <em>details</em> of your shot, that they will really <em>feel all the feels</em>. </strong></p>
<p><a href="https://www.youtube.com/channel/UCVtL1edhT8qqY-j2JIndMzg" target="_blank">CineFix</a> dives into the holy grail of filmmaking in this video essay on <em>emotion</em> and try to pin-point three distinct ways of visually imbuing a scene with emotion.</p>
<p><center></p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/NDFTFFA0LtE" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p></center>The biggest take-away from this essay is <em>detail</em>. The old adage goes &#8220;show it, don&#8217;t tell it&#8221; and there is certainly truth to that. But it&#8217;s a simplification. Because the reason we <em>want</em> to show it &#8211; the emptiness, the loneliness, the juxtapositions, the flaws, the hope, the despair &#8211; is that we are <em>telling</em> a story. And stories, no matter how many times they are told, are much better if you let your listener (or in this case your viewer) fill in the blanks and allow their feelings to shape the narrative.</p>
<p>So let this be not just a lesson in cinematography and directing, but also in screenwriting. Write around the obvious and let the emotion live in the unwritten layers.</p>
<p>h/t <a href="https://www.youtube.com/channel/UCVtL1edhT8qqY-j2JIndMzg" target="_blank">CineFix</a></p>
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