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		<title>How To Self-Distribute Your Film</title>
		<link>https://20questionsfilm.com/how-to-self-distribute-your-film/</link>
		<comments>https://20questionsfilm.com/how-to-self-distribute-your-film/#comments</comments>
		<pubDate>Wed, 29 Jun 2016 19:06:45 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[How-To]]></category>
		<category><![CDATA[Amazon Video Direct]]></category>
		<category><![CDATA[Digital Distribution]]></category>
		<category><![CDATA[Gathr]]></category>
		<category><![CDATA[Google Play]]></category>
		<category><![CDATA[Hulu]]></category>
		<category><![CDATA[IndieReign]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Juice]]></category>
		<category><![CDATA[Kinonation]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[No Film School]]></category>
		<category><![CDATA[Oakley Anderson-Moore]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Quiver]]></category>
		<category><![CDATA[Theatrical Distribution]]></category>
		<category><![CDATA[TopSpin]]></category>
		<category><![CDATA[Tugg]]></category>
		<category><![CDATA[Vimeo On-Demand]]></category>
		<category><![CDATA[VOD]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1688</guid>
		<description><![CDATA[Theatrical vs Online. Tugg vs Gathr. Distributor vs DIY. The options (and obstacles) are plentiful when it comes to getting your film distributed, but luckily so are the services trying to make the whole thing easier for you. You made a film. Now what? Chances are you would like other people to enjoy the fruits of [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Theatrical vs Online. Tugg vs Gathr. Distributor vs DIY. The options (and obstacles) are plentiful when it comes to getting your film distributed, but luckily so are the services trying to make the whole thing easier for you.</strong></p>
<p>You made a film. Now what? Chances are you would like other people to enjoy the fruits of your efforts, and if you are fortunate enough to have other people with a financial interest in your project, chances are that they would not only <em>like</em> the film to be distributed, but rather they would <em>demand</em> it. If the latter is your situation, I would hope you have already planned ahead and have a distribution plan ready (see our recent article on <a href="http://20questionsfilm.com/how-to-create-a-film-business-plan/" target="_blank">how to make a business plan for your film</a>). If you don&#8217;t, read on for some of your options.</p>
<p><strong>Tugg</strong></p>
<p><a href="https://www.tugg.com" target="_blank">Tugg</a> is a community-driven platform for bringing independent titles to screens anywhere in the US. As a filmmaker you can use the platform to arrange and promote screenings, or you can use it to engage your social media following to the point where enough of them &#8211; your fans &#8211; request your film shown in a theater near you. It&#8217;s not a money-making machine, but it&#8217;s a fairly low-risk way of making sure your film gets a theatrical release.</p>
<p><strong>Gathr</strong></p>
<p>Like it&#8217;s slightly more streamlined competitor, Tugg, <a href="https://gathr.us/films" target="_blank">Gathr</a> is a theatrical-on-demand service where either filmmakers or fans can request and promote a screening. Gathr is focused on documentary films.</p>
<p><strong>VOD</strong></p>
<p>Video-On-Demand seems to be the best way for a self-distributed film to generate revenue on a continuous basis and it should be part of any distribution plan you create for your project. Once your film has completed it&#8217;s festival run, you need to push for sales on VOD services like Netflix and iTunes. But don&#8217;t limit yourself to those brandname services &#8211; there are dozens of smaller, independent services that don&#8217;t require curator approval before making your film available for download/streaming. As a DIY filmmaker you can make your film more or less instantly available on services like <a href="https://videodirect.amazon.com/home/landing" target="_blank">Amazon Video Direct</a>, <a href="https://www.indiereign.com" target="_blank">IndieReign</a>, <a href="https://vimeo.com/ondemand/startselling" target="_blank">Vimeo On-Demand</a> and <a href="http://topspinmedia.com" target="_blank">TopSpin</a>, so you can start creating a stream of revenue. Check out <a href="http://www.pbs.org/pov/filmmakers/resources/diy-digital-distribution-platforms.php" target="_blank">this list of services</a> compiled by PBS.</p>
<p><strong>Aggregator Services</strong></p>
<p>There are a lot of film out there. Not only do you need to know who you are marketing your film to, you also need to make sure your film is available for purchase <em>wherever</em> your potential viewers might be looking for it. That means either a lot of submissions for VOD services &#8211; or using an aggregator. A service like <a href="http://quiverdigital.com" target="_blank">Quiver Digital</a> takes a one-time fee to distribute your film across all major digital services (like iTunes, Netflix, Hulu, Amazon, Google Play, etc.), after which you get to keep all revenue, less any percentages taken by the service your film was purchased or rented on. Similar services are offered by <a href="http://kinonation.com" target="_blank">Kinonation</a> and <a href="http://juiceworldwide.com/distribution/" target="_blank">Juice</a>.</p>
<p>Check out this No Film School <a href="http://nofilmschool.com/2016/02/whats-aggregator-and-why-do-you-need-one-release-your-film-online" target="_blank">article on aggregators</a> &#8211; and the same writer&#8217;s experience <a href="http://nofilmschool.com/2016/06/tugg-self-distribution-brave-new-wild" target="_blank">using Tugg for her theatrical run</a>.</p>
<p><em>h/t <a href="http://nofilmschool.com" target="_blank">No Film School</a> and <a href="http://nofilmschool.com/u/oakley" target="_blank">Oakley Anderson-Moore</a></em></p>
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		<item>
		<title>&#8216;Children of Internment&#8217; Scheduled On PBS</title>
		<link>https://20questionsfilm.com/children-of-internment-scheduled-on-pbs/</link>
		<comments>https://20questionsfilm.com/children-of-internment-scheduled-on-pbs/#comments</comments>
		<pubDate>Wed, 29 Jul 2015 00:55:58 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Special]]></category>
		<category><![CDATA[Children of Internment]]></category>
		<category><![CDATA[EMMY's]]></category>
		<category><![CDATA[Joe Crump]]></category>
		<category><![CDATA[Kristina Wagner]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[WWII]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1042</guid>
		<description><![CDATA[More good news for Children of Internment &#8211; the documentary by 20 Questions Film&#8217;s Joe Crump and his sister Kristina Wagner &#8211; in the wake of their EMMY nomination. The documentary, chronicling the heartbreaking stories of German civilians interned in America during WWII, has been scheduled to air on PBS SoCal on August 1st at [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>More good news for <em>Children of Internment</em> &#8211; the documentary by 20 Questions Film&#8217;s Joe Crump and his sister Kristina Wagner &#8211; in the wake of their <a href="http://20questionsfilm.com/emmy-nomination-for-children-of-internment/">EMMY nomination</a>.</strong></p>
<p>The documentary, chronicling the heartbreaking stories of German civilians interned in America during WWII, has been scheduled to air on <a href="http://www.pbssocal.org/tv/schedule/" target="_blank">PBS SoCal</a> on August 1st at 8PM &#8211; with a repeat on August 2nd at 5AM. Please tune in!</p>
<p><span style="color: red;">NOTE: If you have problems finding PBS SoCal Plus on your TV airwaves or with your cable provider, please download <a href="http://20questionsfilm.com/wp-content/uploads/2015/07/channel_listing.pdf" target="_blank">THIS</a> pdf file. It will give you the channel number to find the program.</span></p>
<p><strong>About the film:</strong></p>
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<p>The decision to evacuate and intern Germans, Japanese &amp; Italians in America began at least five years before the attack on Pearl Harbor. J. Edgar Hoover had begun to compile the notorious ABC list. This list was created with concerns over national security and was originally aimed at Communists, Fascists, and Nazis. By the end of 1939, it had evolved into wartime hysteria.</p>
<p>It is a common misperception that only Japanese Americans were interned during WWII. The German American wartime experience remains largely overlooked by historians and generally unknown to most Americans. It is important, when studying WWII internment to make distinctions between German-Americans, Japanese-Americans,, and German Aliens who were not U.S. citizens. In light of those terms, few German-Americans were interned. Nearly 11,000 Germans were detained and of the 11,000, 4,000 were from Latin American and were interned. Roughly 3,000 were interned from the United States. Japanese, Germans and Italians suffered illegal searches, seizures, relocation, harassment, interrogation, family separation, scapegoating, deportation and repatriation.</p>
<p>After the bombing of Pearl Harbor, December 7, 1941, the nation was clearly under threat and historically when there is a threat, a pattern occurs. Families around the world are at risk whenever government policy makers assume that ethnicity alone decides loyalty. While WWII internment was driven by racial bigotry, it is important to note that other factors could also label a group dangerous in times of national crisis. This is a relevant lesson, since today the Alien Enemies Act is still in use for the “War on Terror”.</p>
<p>In the documentary, former internees and their families come forward to tell their heartbreaking stories. It is important to acknowledge yet another civil liberties violation that happened here on American soil.</p>
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<p><strong>About the filmmakers:</strong></p>
<p>Kristina Wagner is a daytime TV veteran with 25 years on General Hospital. She also majored in history and wrote her thesis paper on the detainment of Americans during WWII. With <em>Children of Internment</em> these two worlds collide most beautifully, as Kristina not only approached the material with academical precision, but also with a journalistic accuracy she picked up during her 25 years as a soap star doing countless interviews. She knew that sometimes the things that are said in an interview aren’t always conveyed accurately with the final outcome, so she made it a priority to be as accurate with her documentary storytelling as possible.</p>
<p>Joe Crump is the founder of 20 Questions Film. He graduated film school in 1981 and worked in the industry for a decade, but got sidetracked when one of his scripts were picked up by Fox, then rewritten, then dropped, ultimately giving Joe a desire to finance his own film. Which led him to a career as an investor. With <em>Children of Internment</em> he is back in the business, having fun making movies and already have several new feature film scripts in development.</p>
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