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	<title>20 Questions Film &#187; Documentary</title>
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	<link>https://20questionsfilm.com</link>
	<description>art is in the questions you ask</description>
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		<title>Do You Know: Academy Originals</title>
		<link>https://20questionsfilm.com/do-you-know-academy-originals/</link>
		<comments>https://20questionsfilm.com/do-you-know-academy-originals/#comments</comments>
		<pubDate>Fri, 10 Jun 2016 17:43:03 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[How-To]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Academy Originals]]></category>
		<category><![CDATA[Do You Know?]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1640</guid>
		<description><![CDATA[You definitely know the Academy and their annual Oscars celebration, but do you know their YouTube channel, Academy Originals? Academy Originals is a treasure trove of film knowledge presented documentary-style through interviews with directors, cinematographers, producers, master craftsmen, set designers, consultants, actors &#8211; anyone playing a part in creating movie magic. The videos are grouped [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>You definitely know the Academy and their annual Oscars celebration, but do you know their YouTube channel, <a href="https://www.youtube.com/user/AcademyOriginals/featured" target="_blank"><em>Academy Originals</em></a>?</strong></p>
<p>Academy Originals is a treasure trove of film knowledge presented documentary-style through interviews with directors, cinematographers, producers, master craftsmen, set designers, consultants, actors &#8211; anyone playing a part in creating movie magic. The videos are grouped into categories like <em>&#8216;Moments That Changed Movies&#8217;</em> or <em>&#8216;Credited As&#8217;</em> &#8211; each exploring the movie-making process from a different perspective.</p>
<p>This is truly a rabbit hole to get lost in, if you have any interest in getting behind the scenes of some of the most groundbreaking films in modern history.</p>
<p>Here are some of my personal favorites.</p>
<p><center></p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/0knxW76bDuI?showinfo=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p></center><center></p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/KWsbcBvYqN8?list=PLsruNZel-SDSz2HMt10JBgsjOSvqAeKlH&amp;showinfo=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p></center><center></p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/t6hAr9WkGec?showinfo=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p></center>Be sure to also follow the <a href="https://www.youtube.com/channel/UCjxE9SeqkmCdsdKTOIC46Kg" target="_blank">20 Questions Film YouTube channel</a> where we&#8217;re posting original video interviews.</p>
]]></content:encoded>
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		<item>
		<title>FRIDAY FLUFF: Be Inspired By &#8216;Best Of Vimeo Staff Picks&#8217;</title>
		<link>https://20questionsfilm.com/friday-fluff-be-inspired-by-best-of-vimeo-staff-picks/</link>
		<comments>https://20questionsfilm.com/friday-fluff-be-inspired-by-best-of-vimeo-staff-picks/#comments</comments>
		<pubDate>Fri, 08 Jan 2016 18:09:44 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Friday Fluff]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Vimeo]]></category>
		<category><![CDATA[Vimeo Staff Picks]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1469</guid>
		<description><![CDATA[Top 10 Lists, Likes, Staff Picks &#8211; feel how you will about the various means of content curation and quantitative validation out there, I mean, who&#8217;s to say what&#8217;s good and what&#8217;s better, right? Still, sometimes it&#8217;s satisfying to let other people (or even algorithms) do the bulk of the work, and just sit back [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Top 10 Lists, Likes, Staff Picks &#8211; feel how you will about the various means of content curation and quantitative validation out there, I mean, who&#8217;s to say what&#8217;s <em>good</em> and what&#8217;s <em>better</em>, right? Still, sometimes it&#8217;s satisfying to let other people (or even algorithms) do the bulk of the work, and just sit back and be inspired.</strong></p>
<p>For your inspirational pleasure, here is a &#8216;Best Of&#8217; list from <a href="https://vimeo.com/" target="_blank">Vimeo</a>, highlighting ten extraordinary videos with just the one thing in common that they were all at one point granted that coveted little badge; <em><strong><a href="https://vimeo.com/channels/staffpicks" target="_blank">Vimeo Staff Pick</a></strong></em>. The <em>Vimeo Staff Pick</em> tradition is just days away from reaching a major milestone in having hand-picked 10.000 videos from the many more that are created and uploaded every single day.</p>
<p>So please. Be inspired. Borrow ideas. And visit Vimeo for <a href="https://vimeo.com/blog/post/10-000-staff-picks-our-greatest-hits-from-then-and" target="_blank">the story behind each of these fantastic videos</a>.</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/22439234?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/27246366?color=ffffff" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/7809605?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/32001208?color=ffffff&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/33091687?color=ffffff&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/14074949?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/32397612?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/21294655?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/108650530?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0&amp;badge=0" width="853" height="363" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/25451551?color=ffffff&amp;title=0&amp;byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p style="text-align: left;">h/t <a href="http://vimeo.com" target="_blank">Vimeo</a></p>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>&#8216;Children of Internment&#8217; Scheduled On PBS</title>
		<link>https://20questionsfilm.com/children-of-internment-scheduled-on-pbs/</link>
		<comments>https://20questionsfilm.com/children-of-internment-scheduled-on-pbs/#comments</comments>
		<pubDate>Wed, 29 Jul 2015 00:55:58 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Special]]></category>
		<category><![CDATA[Children of Internment]]></category>
		<category><![CDATA[EMMY's]]></category>
		<category><![CDATA[Joe Crump]]></category>
		<category><![CDATA[Kristina Wagner]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[WWII]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=1042</guid>
		<description><![CDATA[More good news for Children of Internment &#8211; the documentary by 20 Questions Film&#8217;s Joe Crump and his sister Kristina Wagner &#8211; in the wake of their EMMY nomination. The documentary, chronicling the heartbreaking stories of German civilians interned in America during WWII, has been scheduled to air on PBS SoCal on August 1st at [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>More good news for <em>Children of Internment</em> &#8211; the documentary by 20 Questions Film&#8217;s Joe Crump and his sister Kristina Wagner &#8211; in the wake of their <a href="http://20questionsfilm.com/emmy-nomination-for-children-of-internment/">EMMY nomination</a>.</strong></p>
<p>The documentary, chronicling the heartbreaking stories of German civilians interned in America during WWII, has been scheduled to air on <a href="http://www.pbssocal.org/tv/schedule/" target="_blank">PBS SoCal</a> on August 1st at 8PM &#8211; with a repeat on August 2nd at 5AM. Please tune in!</p>
<p><span style="color: red;">NOTE: If you have problems finding PBS SoCal Plus on your TV airwaves or with your cable provider, please download <a href="http://20questionsfilm.com/wp-content/uploads/2015/07/channel_listing.pdf" target="_blank">THIS</a> pdf file. It will give you the channel number to find the program.</span></p>
<p><strong>About the film:</strong></p>
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<p>The decision to evacuate and intern Germans, Japanese &amp; Italians in America began at least five years before the attack on Pearl Harbor. J. Edgar Hoover had begun to compile the notorious ABC list. This list was created with concerns over national security and was originally aimed at Communists, Fascists, and Nazis. By the end of 1939, it had evolved into wartime hysteria.</p>
<p>It is a common misperception that only Japanese Americans were interned during WWII. The German American wartime experience remains largely overlooked by historians and generally unknown to most Americans. It is important, when studying WWII internment to make distinctions between German-Americans, Japanese-Americans,, and German Aliens who were not U.S. citizens. In light of those terms, few German-Americans were interned. Nearly 11,000 Germans were detained and of the 11,000, 4,000 were from Latin American and were interned. Roughly 3,000 were interned from the United States. Japanese, Germans and Italians suffered illegal searches, seizures, relocation, harassment, interrogation, family separation, scapegoating, deportation and repatriation.</p>
<p>After the bombing of Pearl Harbor, December 7, 1941, the nation was clearly under threat and historically when there is a threat, a pattern occurs. Families around the world are at risk whenever government policy makers assume that ethnicity alone decides loyalty. While WWII internment was driven by racial bigotry, it is important to note that other factors could also label a group dangerous in times of national crisis. This is a relevant lesson, since today the Alien Enemies Act is still in use for the “War on Terror”.</p>
<p>In the documentary, former internees and their families come forward to tell their heartbreaking stories. It is important to acknowledge yet another civil liberties violation that happened here on American soil.</p>
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<p><strong>About the filmmakers:</strong></p>
<p>Kristina Wagner is a daytime TV veteran with 25 years on General Hospital. She also majored in history and wrote her thesis paper on the detainment of Americans during WWII. With <em>Children of Internment</em> these two worlds collide most beautifully, as Kristina not only approached the material with academical precision, but also with a journalistic accuracy she picked up during her 25 years as a soap star doing countless interviews. She knew that sometimes the things that are said in an interview aren’t always conveyed accurately with the final outcome, so she made it a priority to be as accurate with her documentary storytelling as possible.</p>
<p>Joe Crump is the founder of 20 Questions Film. He graduated film school in 1981 and worked in the industry for a decade, but got sidetracked when one of his scripts were picked up by Fox, then rewritten, then dropped, ultimately giving Joe a desire to finance his own film. Which led him to a career as an investor. With <em>Children of Internment</em> he is back in the business, having fun making movies and already have several new feature film scripts in development.</p>
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		<item>
		<title>UPDATE: EMMY Nomination for Children of Internment</title>
		<link>https://20questionsfilm.com/emmy-nomination-for-children-of-internment/</link>
		<comments>https://20questionsfilm.com/emmy-nomination-for-children-of-internment/#comments</comments>
		<pubDate>Sun, 19 Jul 2015 17:09:35 +0000</pubDate>
		<dc:creator><![CDATA[Mads Black]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Special]]></category>
		<category><![CDATA[Children of Internment]]></category>
		<category><![CDATA[EMMY's]]></category>
		<category><![CDATA[Joe Crump]]></category>
		<category><![CDATA[Kristina Wagner]]></category>
		<category><![CDATA[Trailer]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=920</guid>
		<description><![CDATA[UPDATE: The EMMY for Historical Documentary was awarded on July 18th and unfortunately Children of Interment did not take home the statue. Regardless, Joe Crump (co-director and -producer along with his sister, Kristina Wagner) wanted to pass along a sincere thanks to Bill Perry at OETA PBS for submitting the film for consideration, as well [&#8230;]]]></description>
				<content:encoded><![CDATA[<blockquote><p><strong>UPDATE:</strong> The EMMY for Historical Documentary was awarded on July 18th and unfortunately <em>Children of Interment</em> did not take home the statue. Regardless, Joe Crump (co-director and -producer along with his sister, Kristina Wagner) wanted to pass along a sincere thanks to Bill Perry at OETA PBS for submitting the film for consideration, as well as to Tom Parris, the cast, interviewees, scholars and families involved, Rich Bair for composite work, the production team &#8211; and friends and families for love and support.</p>
<p>&nbsp;</p>
<p>PBS has been &#8211; and continues to be &#8211; a great supporter of the documentary, and even to be nominated has been a huge honor and lots of fun.</p></blockquote>
<p>&nbsp;</p>
<hr />
<p><strong>Sometimes you&#8217;re allowed to toot your own horn, and well, here at 20 Questions Film we&#8217;re mighty proud to say that <a href="http://www.childrenofinternment.com/" target="_blank"><em>Children of Internment</em></a> &#8211; the historical documentary by our very own Joe Crump and his sister Kristina Wagner &#8211; has been nominated for a regional EMMY.</strong></p>
<p>&nbsp;</p>
<blockquote class="twitter-tweet" lang="en">
<p dir="ltr" lang="en">30B Documentary &#8211; Historical <a href="https://twitter.com/hashtag/HeartlandNom?src=hash">#HeartlandNom</a> <a href="http://t.co/Ef9ZDt3Opx">pic.twitter.com/Ef9ZDt3Opx</a></p>
<p>— Heartland Emmy NATAS (@HeartlandEmmy) <a href="https://twitter.com/HeartlandEmmy/status/604088682954383360">May 29, 2015</a></p></blockquote>
<p><script src="//platform.twitter.com/widgets.js" async="" charset="utf-8"></script></p>
<p>Thousands of German and Japanese families were interned by the United States during WWII, taken from their homes and schools, denied &#8220;due process&#8221; and imprisoned in over 200 detention and internment camps throughout the United States and Latin America. The documentary, <em>Children of Internment</em>, tells the heartbreaking stories of former internees and their families.</p>
<p>The documentary is nominated in the &#8216;Best Historical Documentary&#8217; category for the Heartland Region. Winners are announced July 18th. We&#8217;ll cross our fingers for Joe and Kristina until then.</p>
<p>A special thank you to Bill Perry and OETA out of Oklahoma for leading the way in getting our film nominated for the Emmy.</p>
<p>Check out the trailer here and read the filmmaker bios below:</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://player.vimeo.com/video/55985058?byline=0&amp;portrait=0" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>Kristina Wagner is a daytime TV veteran with 25 years on General Hospital. She also majored in history and wrote her thesis paper on the detainment of Americans during WWII. With <em>Children of Internment</em> these two worlds collide most beautifully, as Kristina not only approached the material with academical precision, but also with a journalistic accuracy she picked up during her 25 years as a soap star doing countless interviews. She knew that sometimes the things that are said in an interview aren&#8217;t always conveyed accurately with the final outcome, so she made it a priority to be as accurate with her documentary storytelling as possible.</p>
<p>Joe Crump is the founder of 20 Questions Film. He graduated film school in 1981 and worked in the industry for a decade, but got sidetracked when one of his scripts were picked up by Fox, then rewritten, then dropped, ultimately giving Joe a desire to finance his own film. Which led him to a career as an investor. With <em>Children of Internment</em> he is back in the business, having fun making movies and already have several new feature film scripts in development.</p>
<p><img class="aligncenter size-full wp-image-931" src="http://20questionsfilm.com/wp-content/uploads/2015/06/emmy-awards-copy.jpg" alt="emmy awards copy" width="532" height="190" /></p>
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		<item>
		<title>Working With Stock Footage</title>
		<link>https://20questionsfilm.com/working-with-stock-footage/</link>
		<comments>https://20questionsfilm.com/working-with-stock-footage/#comments</comments>
		<pubDate>Mon, 22 Jun 2015 18:23:37 +0000</pubDate>
		<dc:creator><![CDATA[Heather Ostrove]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Forrest Gump]]></category>
		<category><![CDATA[Getty]]></category>
		<category><![CDATA[Hannibal]]></category>
		<category><![CDATA[Internet Moving Image Archive]]></category>
		<category><![CDATA[National Archives and Records Administration]]></category>
		<category><![CDATA[National Geographic]]></category>
		<category><![CDATA[Pond 5]]></category>
		<category><![CDATA[Public domain]]></category>
		<category><![CDATA[Shutterstock]]></category>
		<category><![CDATA[Stock footage]]></category>
		<category><![CDATA[We Steal Secrets]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=982</guid>
		<description><![CDATA[Have you ever seen a film where the characters are watching an older movie? Well, that older movie is considered stock footage. Whether or not you’re aware of it, you’ve seen stock footage in all kinds of productions. News reports, movies, television shows, even YouTube videos all make use of it. It’s something that aids [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Have you ever seen a film where the characters are watching an older movie? Well, that older movie is considered stock footage. Whether or not you’re aware of it, you’ve seen stock footage in all kinds of productions. News reports, movies, television shows, even YouTube videos all make use of it. It’s something that aids in both the production and the storytelling of your project.</strong></p>
<p>But what exactly is stock footage?</p>
<p>Broadly speaking, stock footage is any kind of material that is edited into a project, but was not filmed for that specific project. It takes many forms such as audio files, film and television clips, news reports, interviews, and shot-specific footage, such as backgrounds that you can key in, aerials shots overs cities and time-lapse videos of the sun rising or setting.</p>
<p>But why would a production want to use footage that wasn’t specifically shot for their project?</p>
<p>The answer is as varied as the types of stock footage. One big reason can be the budget: paying for an aerial shot of a city at night is much cheaper than renting the helicopter and filming it yourself. And this isn’t exclusive to short films. Even big Hollywood films and television shows use stock footage. In fact, often in TV, the production will film exteriors that are going to be their “stock footage” for the show. The editor uses that footage by inserting it in between interior scenes when there’s a change in location.</p>
<p>Can you spot the stock footage in the clip specifically shot for this killer show? Hint: it’s right at the top of the scene&#8230;</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/rc69O-ktDeo" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>Audiences are mostly used to seeing stock footage used in documentaries, particularly in historical or event documentaries. This is because documentaries that explore a moment in time will use stock footage to transport the audience back to that moment. Interviews are intercut with pictures and video to highlight and punctuate the emotion. Think about it: What would a documentary on The Beatles be like if it didn’t have footage of The Beatles arriving stateside? If it didn’t show them performing on the <em>Ed Sullivan Show</em>?</p>
<p>But let’s be clear; editing together a series of stock footage clips doesn’t make a documentary. A documentary infuses stock footage with other elements, like interviews to better tell its story.</p>
<p>Check out this trailer for a documentary that uses lots of stock footage to explore its story:</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/WUjA_hcYzzI" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>So now that we understand what stock footage is, let’s talk about how to use it. Because, not all stock footage is created equal. Whatever the type of stock footage you’re using, it can be divided into two categories: <em>Public domain</em> or <em>copyrighted</em>.  Public domain stock footage is free to use. Using copyrighted stock footage, found in archives or stock footage houses (companies that are devoted to stock footage), requires that a fee be paid to the copyright holder.</p>
<p><strong>Where can you find public domain stock footage?</strong> The US government is actually one of the largest producers of public domain stock footage. If you’re looking for public domain movie stock footage, the <a href="http://www.archives.gov/">National Archives and Records Administration</a> is one of the best places to start your stock footage search. Another great source is the <a href="http://www.archive.org/details/movies">Internet Moving Image Archive</a><strong>.</strong></p>
<p>Stock footage houses, like <a href="http://www.gettyimages.com/footage">Getty</a>, <a href="http://www.natgeomotion.com/bell/home.do">National Geographic</a>, <a href="https://www.shutterstock.com/video/">Shutterstock</a>, <a href="http://www.pond5.com/">Pond 5</a>, just to name a few, all provide a rich and myriad selection.</p>
<p>When working on a project that requires a lot of stock footage, such as a documentary, I highly recommend hiring a researcher to search for the best and the cheapest stock footage. Often stock footage houses allow you download <em>comps</em>. Comps are smaller, low quality, watermarked download samples of the stock footage. Your editor can then edit those comps into the piece so you can see whether that specific stock footage clip is best for your project.</p>
<p>Once all stock footage selections have been made, a deal will then be worked out between you (and/or your company) and the stock footage house. This deal includes how long you have the rights to the clips and on which formats your film will be shown, film festivals, TV, online, all mediums, etc.</p>
<p>A piece of advice: Buying in bulk can make for a better deal. Buying separate clips from several sources can be more expensive than buying clips from the same house. Again, this is why it’s best to have a researcher devoted to finding you stock footage. They can work and sometimes negotiate with stock footage houses to get you a better deal.</p>
<p>It’s after this that you’ll be given (either via download or physical copy) a high quality version of the clips that can then replace their comp counterparts. If you’re not familiar with this process, check out <a href="http://20questionsfilm.com/understanding-post-workflow-offline-vs-online-editing/">this quick primer on <em>offline</em> vs <em>online</em> editing.</a></p>
<p>Working with stock footage means communication between the editor, the post coordinator, the post supervisor, the director and the producers is key. Things like what house the stock footage clip came from, the cost of the clip per second of being used and how long it’s actually being used in the film all needs to be tracked.</p>
<p>Google docs are a great tool that can help you keep track of all these variables. I recommend creating one google doc that tracks all incoming documents/files and another that tracks their usage in the film.</p>
<p>Remember: Whatever the reason for its use, stock footage is a tool, like visual effects or music, that helps elaborate and illustrate your story. Don’t use stock footage to be fancy, use stock footage to tell the best story.</p>
<p>To close, here’s a clip from a movie that really used stock footage in an innovative way!</p>
<p>&nbsp;</p>
<div class="responsive-video"><iframe src="https://www.youtube.com/embed/mIWd3T1xjec" width="853" height="480" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Children of Internment Trailer</title>
		<link>https://20questionsfilm.com/children-of-internment-trailer/</link>
		<comments>https://20questionsfilm.com/children-of-internment-trailer/#comments</comments>
		<pubDate>Fri, 30 Jan 2015 22:37:08 +0000</pubDate>
		<dc:creator><![CDATA[Joe Crump]]></dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Children of Internment]]></category>
		<category><![CDATA[Joe Crump]]></category>
		<category><![CDATA[Kristina Wagner]]></category>
		<category><![CDATA[Trailer]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=204</guid>
		<description><![CDATA[Joe Crump and Kristina Wagner&#8217;s documentary film, Children of Interment, recently won the Santa Fe Film Festival Documentary award. Watch the trailer above and read more about how the project came about here.]]></description>
				<content:encoded><![CDATA[<p><center></p>
<div class="responsive-video"><iframe src="//player.vimeo.com/video/55985058?byline=0&amp;portrait=0" width="500" height="281" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<p></center>Joe Crump and Kristina Wagner&#8217;s documentary film, Children of Interment, recently won the Santa Fe Film Festival Documentary award. Watch the trailer above and read more about how the project came about <a href="http://www.childrenofinternment.com/" target="_blank">here</a>.</p>
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		<title>Lighting Interviews on a Tiny Budget</title>
		<link>https://20questionsfilm.com/lighting-interviews-on-a-tiny-budget/</link>
		<comments>https://20questionsfilm.com/lighting-interviews-on-a-tiny-budget/#comments</comments>
		<pubDate>Fri, 30 Jan 2015 04:08:06 +0000</pubDate>
		<dc:creator><![CDATA[Joe Crump]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Budget]]></category>
		<category><![CDATA[Children of Internment]]></category>
		<category><![CDATA[How-To]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Lighting]]></category>

		<guid isPermaLink="false">http://20questionsfilm.com/?p=112</guid>
		<description><![CDATA[I&#8217;m currently working on a documentary about German American internees who were held in prison camps in Texas and other parts of the country during WWII. We aren&#8217;t doing it for anyone in particular. We are funding it ourselves. We don&#8217;t have any guarantees that it will be bought or distributed on television or cable. [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class="style2">I&#8217;m currently working on a documentary about German American internees who were held in prison camps in Texas and other parts of the country during WWII.</p>
<p class="style2">We aren&#8217;t doing it for anyone in particular. We are funding it ourselves. We don&#8217;t have any guarantees that it will be bought or distributed on television or cable. Fortunately, other than the equipment, our costs are mainly travel.</p>
<p class="style2">I&#8217;m doing it because it&#8217;s a lot of fun and I get to work with my sister, Kristina Wagner. Here is a picture of us from last week in Los Angeles, relaxing after 4 days of shooting.</p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/joekristism.jpg"><img class="aligncenter size-medium wp-image-113" src="http://20questionsfilm.com/wp-content/uploads/2015/01/joekristism-300x229.jpg" alt="joekristism" width="300" height="229" /></a></p>
<p class="style2">Kristina is an actress turned historian. She was a feature player on the daytime television show &#8220;General Hospital&#8221; for over 20 years. She went back to school and got her degree in history. This film project developed out of her senior thesis.</p>
<p class="style2">There are so many layers to this story, it has been a fascinating process hearing the different perspectives about internment from both victims and those who were involved with carrying it out. I think it&#8217;s shaping up to be a very compelling, very heartfelt, 90 minute feature.</p>
<p class="style2">So &#8211; with that said, I wanted to talk about the mechanics of interview lighting.</p>
<p class="style2"><strong>Here are the restrictions we are dealing with&#8230;</strong></p>
<p class="style2">The set up has to be very quick. Within 15 minutes from the time we arrive, we want to be shooting. When I worked for CNN back in the 80s, we had 2 or 3 guys setting up interviews. Our set up time for an interview like this was typically 30 minutes.</p>
<p class="style2">With this project, I had to do the set up on my own &#8211; a one man band &#8211; finding the shot, setting it up, lighting it, setting up sound &#8211; and doing it without much equipment. Most of these interviews are in the homes of the interviewee &#8211; and we wanted to keep our footprint very small.</p>
<p class="style2">I&#8217;ve used two different cameras. A Canon 5D Mark III and a Sony PMW EX-1. I&#8217;ve owned the EX-1 for 4 or 5 years. It gives beautiful images, but has a small sensor. The 5D is an amazing camera and the low light capabilities are better than the EX-1.</p>
<p class="style2">Since we are doing available light in most situations, I decided to do most of the project with my new 5D Mark III.</p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/eb.png"><img class="aligncenter size-medium wp-image-115" src="http://20questionsfilm.com/wp-content/uploads/2015/01/eb-300x167.png" alt="eb" width="300" height="167" /></a></p>
<p class="style2">This first interview (above) is the only one I did with the EX-1. We shot it in a mansion where the internees where held in South Chicago. The gain was set at 0dB, the aperture is wide open 1.9f and we were shooting 1080p at 24 fps. The native ISO on the EX-1 is about 500, based on my measurements.</p>
<p class="style2">This footage has not been color graded yet. I wanted to show you the lighting the way it was captured. I did shrink the size of the shot so it would fit on the page.</p>
<p class="style2"><strong>So let&#8217;s talk about the light sources.</strong></p>
<p class="style2">The room has windows on two parallel walls. You can see them bordering the left side of the frame from behind Eberhard. The room is 30 feet across. He is sitting about 12 feet from the back wall and about 20 feet from the windows in front of him.</p>
<p class="style2">Kristina is sitting to the right of the camera doing the interview in an attempt to keep his eye line very much on axis with the lens. I believe that the closer you can get to being on axis with an interview like this, the more personal the shot will feel. As you go off axis, you create separation between the subject and audience.</p>
<p class="style2">He is lit from the front with a 24&#8242; china ball with a standard 100 watt light bulb ($6 for the fixture).</p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/chinaball.jpg"><img class="aligncenter size-medium wp-image-119" src="http://20questionsfilm.com/wp-content/uploads/2015/01/chinaball-300x199.jpg" alt="chinaball" width="300" height="199" /></a></p>
<p class="style2">For the interview, I placed the china ball a couple of feet above his head on a C-stand to the right and about equal distance between the camera and the subject. It is very close to the axis of the shot. There is also a fold out white reflector on a stand about 2 feet left of the subject, providing some fill. A 100 watt bulb doesn&#8217;t put out much light compared to the window light &#8211; but it softened the shot beautifully.</p>
<p class="style2">I also like the eye light that we are getting naturally from the china ball and the fact that I was able to angle the shot in a way that kept his glasses from reflecting the bank of diffused windows in front of him.</p>
<p class="style2">I opened the back curtains enough to give a nice sheen on the fireplace to the right. I also kept the actual window out of the picture since it would have blown out if I left it in frame. The light from the window is giving his jacket the back rim light.</p>
<p class="style2">One thing you may notice is the bluish tone to the shot because a lot of it was daylight. The bulb in the china ball was a &#8220;Reveal 100 Daylight&#8221; bulb that I got at the grocery. They are not balanced at 5200 kelvin even though they are called daylight bulbs &#8211; they seem to be closer to 3900k if you don&#8217;t use a dimmer.</p>
<p class="style2">It took me longer to write about how I did it than it took to light it.</p>
<p class="style2"><strong>Let&#8217;s look at a few interviews that I shot with the 5D Mark III.</strong></p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/yae.png"><img class="aligncenter size-medium wp-image-118" src="http://20questionsfilm.com/wp-content/uploads/2015/01/yae-300x168.png" alt="yae" width="300" height="168" /></a></p>
<p class="style2">Yae is sitting in her living room. There is a bank of windows along the wall to the left. I was able to get the background to go out of focus a bit more because of the larger sensor on the 5D, the wide open aperture and the 105mm lens.</p>
<p class="style2">When I purchase the EX-1 a few years ago, everyone was saying that the &#8220;film look&#8221; could be achieved on video by shooting 24 frames per second. I never found this to be the case. The way to get the film look is by using the shorter depth of field that only a large sensor camera can give you &#8211; the Letus 35mm adapter works, but it&#8217;s a pain in the butt to use for run and gun work and impossible with a zoom lens.</p>
<p class="style2">We were even more limited in our space in this house than we were in the previous one so getting the background to go out of focus was more of a challenge. I shot it with a 105mm lens at 3200 ISO. The aperture was opened to 4.0f and the shutter at 1/50th.</p>
<p class="style2">The picture on the 5D Mark III is amazingly noiseless at 3200 ISO and I&#8217;ve been surprised and pleased by how well 6400 ISO looks as well. I think the low light capabilities make this camera perfect for the low budget filmmaker. When I started shooting back in the late 70s on 16mm film, we used Kodak 7247 negative stock that was rated at 100ASA (now called ISO). There is no way we would have been able to get an acceptable exposure at 100ASA with the lighting set up we used this time.</p>
<p class="style2">Low light cameras like this have made life much easier AND I think it is changing the style of lighting. I could talk about my opinions on this for quite a while, but I&#8217;ll stick with the issue at hand for now.</p>
<p class="style2">The glow from the left is coming through the shears of the living room windows (it was bright outside, but the window was in shade). I used the china ball again, but this time I put it closer to the subject &#8211; the bottom of the ball was about a foot higher than her head and it was about 3 feet away from her face slightly to the right off camera axis. There is no other lighting in the room. You can see some window reflection in her glasses, but as she<br />
moves, it didn&#8217;t bother me.</p>
<p class="style2">We also moved around a few props that we found in her living room to give the background some interest and to express a bit of her personality and heritage.</p>
<p class="style2">Another note: I am using a 7&#8242; monitor mounted to the camera hot shoe to help with focusing. It also allows me to angle the monitor so I can sit down during the interviews &#8211; which are lasting between 1-2 hours.</p>
<p class="style2">It&#8217;s a cheap Marshall monitor ($250) and has a lot more contrast than what you see in this screenshot. It also separates the colors differently &#8211; I was a little nervous when I first started using it because it made the different color temperatures in the shot pop out. In this shot, her face, on the left side went much bluer on the monitor.</p>
<p class="style2">I probably could focus fine with the screen on the camera or use a loupe attachment, but I am also using a camera stabilizer with a vest for other shots in the project and needed a monitor for that, so I bought one monitor for both functions.</p>
<p class="style2">While I&#8217;m at it, I also bought a Beachtek DXA-SLR XLR adapter ($450 from bandh.com) for my mics. It works wonderfully and we are getting some excellent sound.</p>
<p class="style2">Here is another shot.</p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/charles.png"><img class="aligncenter size-medium wp-image-114" src="http://20questionsfilm.com/wp-content/uploads/2015/01/charles-300x168.png" alt="charles" width="300" height="168" /></a></p>
<p class="style2">This was a challenge to light since it was very close to dusk when we shot it.</p>
<p class="style2">Again, I was at 4.0, 1/50th, 3200 ISO and shooting 1080p, 24 fps. We get a different look because the china ball is now the main keylight. It is positioned above and to the left of frame and Kristi was sitting slightly off axis to the camera lens on the left to direct his eyeline.</p>
<p class="style2">I also made a mistake putting him in a high backed chair. When you do this with folks, they often end up leaning back and slouching which doesn&#8217;t make them look as good.</p>
<p class="style2">I love what the back window and the reflection of the yard outside did, bringing green and blue reflections to the glass on the furniture in the background. We moved the plant on the right to give a bit of shape to the window area and adjusted some of the stuff in the background. I also like the sheen off the dining room table. There is depth and personality to the shot. I turned on the light in the china cabinet and you can see the top shelf went a bit orange since the tungsten bulb in there was a very low color temperature. I wouldn&#8217;t do it that if I had it to do again.</p>
<p class="style2">I have a higher contrast ratio on this shot and I could have used a reflector on the right side of the shot filling in and softening his face. Overall, I&#8217;m satisfied with the shot and think it represents him and what he has to say very well.</p>
<p class="style2">Here are a couple more shots that are different environments, but are lit with the same tools.</p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/kei.png"><img class="aligncenter size-medium wp-image-117" src="http://20questionsfilm.com/wp-content/uploads/2015/01/kei-300x169.png" alt="kei" width="300" height="169" /></a></p>
<p class="style2"><a href="http://20questionsfilm.com/wp-content/uploads/2015/01/heidi.png"><img class="aligncenter size-medium wp-image-116" src="http://20questionsfilm.com/wp-content/uploads/2015/01/heidi-300x168.png" alt="heidi" width="300" height="168" /></a></p>
<p class="style2">All of these folks were very interesting to talk to and we got a lot of very usable footage.</p>
<p class="style2">A lot of interview lighting that I see these days is so harsh. One of the things we wanted for this film was a softer, friendlier look. All of these folks were children during WWII and were thrown in to a very difficult situation with their parents. We are looking for the heart of the story.</p>
<p class="style2">The memories they have and how those memories conflict with each other tells a fascinating story about human memory, family, hardship and how the human spirit overcomes horrible events. It also speaks to the concept of fear molding public policy &#8211; about a nation who sees itself as the &#8220;good guy&#8221; can abuse it&#8217;s power when it&#8217;s people are frightened.</p>
<p class="style2">I&#8217;m looking forward to the upcoming interviews and editing the piece together. I&#8217;ll keep you posted as we progress. The next shoot will be in Frankfort, Germany in October where we are interviewing German internees who were repatriated during and after the war.</p>
<p class="style2">And it&#8217;s <strong>not</strong> a coincidence that we are going to Germany during Oktoberfest. Hofbräuhaus and quart mugs of beer, here we come.</p>
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